The Vesuvius Club: Graphic Edition
19 October 2014 Leave a comment
Author: Mark Gatiss, Ian Bass (Illustrator)
Summary: The first adventure of Lucifer Box rendered in every detail.
Lucifer Box, the greatest portraitist of the Edwardian age and England’s most dashing secret agent, investigates a series of bizarre disappearances and plunges headlong into low life and high society.
Who is killing Britain’s most prominent vulcanologists?
What secrets lie beyond the grave?
And which tie goes best with a white carnation?
Rating: ★★★★☆ 4/5
Review: I read and loved The Vesuvius Club many years ago. When i found out there was a graphic novel edition, i wanted it. It was on my wish list for a few years, but i never received it. So, a little while ago, i bought it myself. It was worth the wait.
While the story itself is not as in depth as the original book (obviously), the art does such a good job of bringing the character and the action and the settings to life. There is no colour, it is only black and white. This is a shame in some respects, because i would have loved some colour in a few particular panels (mostly the violent ones, i will confess–what’s a blood splatter without a little red?). On the other hand, the black and white provides such a noir, mystery and classy feel to the images.
Lucifer, whom i fell in love with in the book, is very much as i pictured him; a handsome devil who knows it. There were a few images where he seemed overly comic (bug-eyed, squared-chinned and fat-lipped) and others where he just looked old, but on the whole he personified the character described in the book.
Mr Victor is my second favourite character, though to reveal more about him would spoil far too much. Suffice to say there is a wonderful full-page image that sums it up efficiently.
The plot and action move swiftly and the story never gets dull. It was great to see the fight scenes play out, rather than having to image them as they play out slowly among detailed descriptions, as they so often do in prose. And in a few cases, particularly plots twists, it was much nicer to have visual cues as to the nature of what was playing out, and that slight anticipation evoked with an image before the narrative progresses.
I would definitely recommend this as a supplement the original book. Although the art is wonderful and the story flows well enough, there is obviously a lot omitted. As much as the graphic edition can stand on its own, it was only enhanced by my knowledge of the book, and the nuances and details of characters and plot that simply can not be converted into this edition.