No Monsters Allowed
18 August 2016 1 Comment
Summary: Horror has a human face…
In a world over-run with vampires, werewolves and zombies, No Monsters Allowed goes back to the very roots of horror – humanity itself. The vile acts of our fellow men and women, the fears that hide in our own minds, the nightmares that inhabit our everyday lives . . .
Rating: ★★★☆☆ 3/5
Review: This book caught my eye from the shelf in the library. I love horror and i love short stories, but what really got me interested was the human-horror element. So often the horror in fiction is represented as “other” be it in the form of monsters or disease or some such. But horror that draws on the cruelty and evil inherent in the human race is a horror you can’t tell yourself doesn’t exist when you’re trying to sleep at night. It’s scarier because it could be real–because it is real.
Overall the stories here were hit and miss. It’s not that any were outright bad, but that some didn’t hit as hard or leave an impression on me. And overwhelmingly the stories read as quite amateurish, which isn’t a criticism, per se, but the inexperienced writing didn’t help in the stories that were also weaker, and unfortunately did effect how seriously (or not seriously) i took the stories.
One story i really enjoyed was the second one, The Silence After Winter, which was about a woman and a young girl getting by following an apocalyptic event. Really, though, this story didn’t read as horror to me. I loved it because of its post-apocalyptic setting, and it certainly explored human nature and its drive to survive in various ways. But horror? Not so much.
Another great story was Puppyberries, about a new food stuff that takes a small town by storm for a short while. They don’t know what it is or really where it came from, but they can’t stop eating it. The thing is with this story, i was waiting for the human-horror twist for the entire narrative… and it didn’t come. I’m still baffled as to what the human-horror aspect was intended to be, as ending on the insinuation that the puppyberries had living things inside them that burrow out brings this story back around to a monster.
Bred in the Bone, Killer Con, and Precious Damaged Cargo are three excellent stories that hit human-horror spot on. For the first, i could feel the anticipation and the hidden horror throughout, and was perfectly satisfied when it was revealed. The second i loved as a commentary on society’s fixation with murderers and serial killers, with newspaper articles and books written about all the gory details–this story took that to a place and exposed the horror of not only the killers, but the public obsessed with them. The third one surprised me–i did not see that end coming, and i loved it!
My favourite story, and i think the one that struck me the most, and will likely stay with me a while, is Some Girls Wander By Mistake. I loved it because it explores sexuality and transgender topics, but within a horror setting. And the fact that it’s human-horror suits it perfectly. I also loved it because i knew where it was going, what the twist would be, but i don’t know how i knew. I just kept thinking, “This seems that,” and “It would be so good if this happened” and then it did. I just. Loved it.
Despite the stories being hit and miss, i did enjoy this book a lot. Mostly because the stories i enjoyed, i really enjoyed. I might actually have to re-read (and even photocopy?) Some Girls Wander By Mistake before i return it to the library. Damn, i really loved that story.