21 November 2016 3 Comments
Author: Patrick deWitt
Summary: Lucien (Lucy) Minor is the resident odd duck in the bucolic hamlet of Bury. Friendless and loveless, young and aimless, he is a compulsive liar and a melancholy weakling. When Lucy accepts employment assisting the majordomo of the remote, forbidding castle of the Baron Von Aux he meets thieves, madmen, aristocrats, and a puppy. He also meets Klara, a delicate beauty who is, unfortunately, already involved with an exceptionally handsome partisan soldier. Thus begins a tale of polite theft, bitter heartbreak, domestic mystery and cold-blooded murder in which every aspect of human behaviour is laid bare for our hero to observe. But Lucy must be cautious and lock his bedroom door, because someone, or something, is roaming the corridors of the castle late at night.
Undermajordomo Minor is a riotous blend of Gothic romance and macabre European fairy tale. It is a triumphant ink-black comedy of manners and a timeless account of that violent thing: love.
Rating: ★★★★☆ 4/5
Review: This is deWitt’s third novel. I adored the other two, which left me with high expectations for this one. Thankfully, i was not disappointed. If i had to choose one word to describe this book, i think i’d pick ‘weird’, but oh what a wonderful weird it is!
Without a doubt my favourite thing about this book are the conversations Lucy has with his boss, the majordomo, Mr Olderglough. They were just so… concise. Questions were asked, answers were given, and no judgements were ever made. They just seemed to click, but in a way where they never truly bonded, as that would require more words and expression than was necessary. Their dialogue stretched pages, and i spent the entirety of it smiling.
In each of his books deWitt has had a different, distinct and immersive narrative voice. This book’s, i think, is the most innocent. Lucy is young, starved of love and affection, but does not feel sorry for himself. He’s always looking forward and striving for better things, but without being obnoxious. He’s just… such a straightforward character and i kind of adore him.
All the characters were likeable, in their own ways. Even the ones i wasn’t supposed to like, i sort of did. I think it helped that there was no real tension in the book; even when something went badly, things were generally still okay. There were no heart-in-mouth moments, just a gentle bobbing of emotion. It made the book such a joy to read.
I really did feel the fairy tale vibe to the book, with the castle, the very large hole, the armies fighting over nothing they could articulate, and the general easy going flow of the narrative. Of course there were bits that wouldn’t belong in a children’s fairy tale, but those were the bits that added an eerie, dark and comedic aspect to the story. Love and death were the two big themes of the story, and despite the generally light and tension-free narrative, i think it dealt with them wonderfully. Mirroring and contrasting points within three different love triangles and rivalries, it all unfolds by the end.
And the end is perfect. For Lucy it is neither happy nor sad; it is the kind of ending i love. The kind of ending where i can imagine several ways things play out past the last words in the book, and i love all the options.
I’m already pining for the next book by deWitt. My expectations are only getting higher, but my fear of disappointment is cheerfully low.