Title: The City of Mirrors
Author: Justin Cronin
Summary: All is quiet in the world. The Twelve have been destroyed, and the hundred-year reign of darkness that descended upon civilization has ended. The survivors are stepping outside their walls, determined to build society anew–and daring to dream of a hopeful future. But far from them, in a dead metropolis, he waits: Zero. The First. Father of the Twelve. The anguish that shattered his human life haunts him, and the hatred spawned by his transformation burns bright. His fury will be quenched only when he destroys Amy–humanity’s only hope, the Girl from Nowhere who grew up to rise against him. One last time light and dark will clash, and at last Amy and her friends will know their fate.
Rating: ★★★☆☆ 3/5
Review: I went into this book with trepidation. I completely, utterly, five-out-of-five stars loved the previous two books in this series (The Passage and The Twelve), but i had heard of quite a few people really disliking the third and final book. So i cracked the spine with hope in my heart, but fully prepared for disappointment. Either way, i was half right.
This review is, in a word, long. It is also full of spoilers–i couldn’t express my roller coaster of emotions without talking about every damn turn in ride, i’m afraid. So read on at your own peril.
Things started out strong. Reuniting with these characters i have followed and loved over the first two books, discovering what becomes of them over the few years since the end of The Twelve, and finding the strings of where this book will take them. I loved it so far. I also really enjoyed the section of the book given over to Zero, Timothy Fanning, our antagonist’s tale of his back story. Told in the first person, he goes all the way back to his childhood, starting college, losing touch with his family and making a new one with his friends. I got lost in his story, and grew quickly fond of these new (and old…) characters. It was super interesting to discover how the virus had come about, and what people’s goals and motivations had been, even years before it happened. This was, however, also where the first crack appeared in my hope, allowing my disappointment to slip in. With Fanning’s history comes the slap in the face that everything–the entire apocalyptic mess–happened because of a love story. That just… annoys me, honestly. A man falls in love, it’s complicated, there’s a tragedy or two, and then he kills everyone. The moral of this story to me? Men are crazy dangerous and women should never fall in love with one.
The next section of the book skips ahead about 20-25 years, with our main protagonists now middle aged, and their children all grown up with children of their own. And honestly, this part… just… dragged. There was too much of the daily grind, people going about their every days, and too many characters i haven’t seen grow up and have nothing invested in. Action and excitement and development was severely lacking, and really i think the book as a whole would have benefited if we had jumped into the story at this part, with short forays back to see how they came to this point. Juxtapositioning the time lines as well as character- and plot-development that way would have kept the whole thing more interesting.
When things did kick off, with the virals finally making a reappearance and everything going to pot, my enthusiasm returned full force and i was ready for the rest of the book to be action-packed and making up for any lull in the narrative. And for a while, it did. The attacks on the city, the ambush, and the mad dash to the Bergensfjord. That was an example of this book’s story at its best, and i didn’t want to stop reading.
Despite loving the story at this point, there were other things i wasn’t enjoying so much. Plot is only a part of what makes a good book–the characters play a hefty part as well. Unfortunately, by this time, some were starting to wear on me. I’ve never been Peter’s biggest fan, but he was so blind to so much and making the wrong choices–i was left with very little sympathy or patience for him. The characters i did like were not in it enough–Greer, Michael, Lore, Amy. And even Amy sarted to frustrate me, when more and more of her love story with Peter is revealed. No matter how you spin it, she’s over 100 years old in the body of a young girl when Peter is a young man, and she’s still over 100 when she’s in the body of a young woman and Peter is a middle aged man. Despite the fact i get no ~romance~ vibes from their relationship at all and it feels entirely forced for the sake of having it–their massive, confusing, and altering age gaps just give me the creeps.
The single biggest disappointment i have with the entire book–the thing that not only failed to land for me, but actually make me rather angry and terribly, terribly sad–was Alicia. She is, hands down, my favourite character. But Cronin’s handling of her, her journey, and her conclusion is… misjudged at best, and just plain disgusting at worst. Her situation and condition is unique. The only person with any kind of understanding of it is Amy, and i loved the relationship Alicia and Amy share because of that (and honestly, i’d’ve bought a romance between them much more easily). Along with that, she went through some truly horrific events in The Twelve, coming out the other side a different person (again), but still with her heart and mind in the right place. In this book, she gets nothing but anger and violence from the people she once called friends, and the people she believed she was protecting for the last 25 years. At first i thought this anger was an initial reaction to people missing and worrying about her–that they would expunge it and welcome her back into the fold. Instead, it seethes and these people Alicia loves and is still trying to protect give no shits about her. She’s then severely wounded by friendly fire and reduced to a cripple for the rest of the book, kept around solely for information that barely gets used or considered. She gets no goodbyes, no validation for everything she has done, and only a single person caring enough about her to hold a conversation and help carry her trauma and her secrets. And it hurts me that she’s thrown away like that in this story.
By the end, and mostly by the time i became too disheartened by Alicia’s treatment, i just… didn’t care anymore. By the time they arrived in New York i was skipping ahead and see what happened. And not because i was so excited or engaged with the story that i had to know what happened and that everything turned out okay, but because i wanted to find a reason to want to keep reading–because i just wanted it over with. I was ready to give up on the last 150 pages, but the time and love i’d poured into the previous books gave me the determination to see it through, with the compromise of skim-reading the final chapters. By that time, though, i cared very little about anything i read.
Throughout the book, Cronin’s way with words shines through. His turns of phrase and imagery never failed, and i underlined with reckless abandon. I’m so happy this remained, even through parts of the book i didn’t enjoy, and even at parts of the book that made me numb with sadness and disappointment.
Some might have said she fell. Others, that she flew. Both were true. Alicia Donadio–Alicia of Blades, the New Thing, Captain of the Expeditionary–would die as she had lived.
Always soaring.
Honestly, in my heart this book gets two and a half stars out of five, but i rounded up based on my utter and undying love of the first two books. That love remains undamaged, and once i’ve posted this review i will try to wipe the memory of this book from my mind. For me, the series ends with humanity continuing on its journey to grow and rebuild itself, while Alicia heads off to New York to behead Zero and be the big damn hero she is.